Hentley Farm Dinner at National Wine Centre

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disclaimer: I was the National Wine Centre‘s guest at this dinner.

date: Wednedsay 26 June 2013

If you follow the Eating Adelaide calendar (and the sporadic Friday posts on Facebook) you’ll know that throughout the year, the National Wine Centre (NWC) has been hosting a series of wine dinners. In my pre-baby life, I would have been all over attending events like this but those kind of activities have slowed down somewhat in the last almost 4 years, so while I’ve been able to tell you about them happening, there have been no first hand accounts.

Luckily for me, the National Wine Centre extended an invitation to attend the Hentley Farm dinner. I was thrilled that I was able to accept (thank you, Andy, for not only taking on baby sitting duties but also dealing with the flat battery due to some idiot leaving the car’s lights on) but also very interested because Hentley Farm is a winery that has a good reputation (both for its wines and its cellar door restaurant). It’s somewhat remiss of me not to be familiar with their wines so this was an opportunity to fix that.

So I spent a good month looking forward to this meal, and finally headed along to the centre’s Vines dining room, feeling a bit self conscious that I’d be walking into the event solo but figuring that I would at least recognise Lucy from the NWC.

The evening started with mingling, the Hentley Farm Riesling (the only wine for which grapes are not sourced from Hentley Farm’s Barossa estate) and delicious kingfish canapés, served with finely shaved radish, kohlrabi and fennel and finished with a Meyer lemon purée. These worked really well with the vegetables providing texture and layers of flavour and the lemon purée finishing off the morsel cleanly with a tasty citrus zip.

It came time to sit down and I headed off to my table, and sat down next to a couple. I turned to introduce myself to the woman next to me. “Hi, I’m …” I started, only to have my sentence finished. Yes, only in Adelaide can you head along to a dinner and randomly sit next to someone you went to school with and haven’t seen in the last n years!

Katie now works for the design company which does lots of work with the NWC, but since leaving school she’s done a couple of degrees, worked in the US and done the family thing. So there was a reasonable amount to catch up on.

Also at the table was Andrew Quinn and Keith Hentschke, Hentley Farm’s winemaker and owner respectively, as well as some NWC staff and guests. Both Keith and Andrew spoke between courses to introduce the wines and Hentley Farm story. I thought that they struck the balance between being informative and entertaining really well and I loved that they chose not to use the lectern but wander around the room a little (something that only works if you’re confident and can project your voice!). It made their talks feel more like chats and I think it definitely encouraged questions.

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First course was a trio of entrées: belly pork, duck confit and black sausage, served with haricot beans. While I really liked the concept of this dish, I thought that the black sausage was a little bit lacklustre. My time in England was spent eating a lot of full English breakfasts and forming some very strong opinions on black pudding and I’m yet to find one in Adelaide that cuts the mustard. Which is a shame because pork belly and black pudding is one of those really classic combinations. The entrée was served with the 2012 “The Stray Mongrel” (a Grenache Shiraz Zinfandel blend) and the 2012 Zinfandel. My pick of these two wines (both in terms of the wine and the wine and food match) was the straight Zin. In particular I thought it worked really well with the anise flavours in the duck.

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Next up was, what was for me, the star dish of the dinner. Venison loin, served with chestnut and celeriac, date compôte and pickled blueberries. I love venison and celeriac but have to admit I was a bit nervous about the date compôte. I’m a bit funny about fruit in savoury things – especially something that might be so obviously sweet as dates. But my goodness – it worked really well and next time I am cooking something gamey (probably relatively soon, as I have some pheasants coming my way) I’ll definitely be experimenting. I was also really impressed that the venison was served beautifully pink. Well done to the kitchen. Too often meat served at functions will be overcooked and dried out – something that is both easier to do and avoids any complaints from the well done brigade. Congratulations to the kitchen at the NWC.

This course was paired with 2011 The Beauty and 2010 The Beast. Both Shirazes but wines that receive very different treatment. The Beauty is 3% Viognier (cofermented) and sees 40% new French oak, whereas The Beast is 100% Shiraz and sees 80% new oak. Now, based on those descriptions alone, I would probably choose The Beauty as my pick, but on the evening, The Beast really stood out as the stand out wine (of the dinner) for me.

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The final course saw the 2010 Clos Otto Shiraz served with Ossau-Iraty: a French sheep’s milk cheese (which also happens to be one of my favourite cheeses). The cheese came with some hazelnut baguette and black cherry jelly. While the baguette was neither here nor there for me, the black cherry jelly was excellent (served with some crushed hazelnuts on top) and a really clever change from serving quince paste.

The meal wrapped up with door prizes, some wine specials if you wanted to buy wines and, naturally, coffee and chocoMe chocolates.

I think it’s obvious that I had a great time: some of my favourite things to eat were served, along with some very classy wines. The real litmus test with events like this is – would I spend my own money? And unreservedly, I can say I would. The dinners are usually around $100-$120 a head and they are set menus, so if you are a picky eater they might not work for you. But if you like food and wine you should have a ball.

And you might even sit next to someone you went to school with …

The next dinner is on Wednesday 17 July and it will feature wines of the Hunter Valley. More details are available on the National Wine Centre site.  The dinners do usually sell out so if you are interested in heading to one – don’t dawdle!

Press* Feasting Menu

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date of feast: Saturday 27 April 2013

Yes, you can see I am somewhat behind in a few things … But it is fitting that this review has taken so long to hit the web, because it’s indicative of how long it took us to organise this.

Ages ago now (as in, last year, I’m sure – in fact, quite possibly when we were at Fino) my friends and I talked about heading to Press* Food and Wine for the suckling pig.

But such monumental nights out require a fair bit of thought and effort these days. Perhaps it’s all the children that need baby sitting arrangements made, perhaps it’s the tedium of work that turns everything, including fun, into a protracted effort. I’m sure that when we were at uni we would have made the booking and been in the restaurant a week later.

It took us so long to organise this that Press* actually changed the format of the suckling pig deal on us! By the time I booked, it was no longer a case of placing an order for a suckling pig, but rather it was a (minimum) 10 person feasting menu, including (in amongst a pile of other courses) said pig. Not a problem – except that by the time we (one other person and I split the organising of these things between us: one writes grumpy emails to corral the troops, the other organises the restaurant end) floated a per head cost of $100 we were down to just 9 participants.

Because this had taken so long to pull together, I went ahead and booked for our chosen date. Unfortunately, upstairs (the ‘restaurant’) was closed for a private function, but as we were after the pig we were able to book a table in the (normally unbookable) bar (downstairs). The feasting menu is $78 a head and I asked if Press* could put together wines to bring it to $100 per person. While they weren’t able to do this (there was concern about people ordering beers and cocktails) they were happy for me to choose wines for the table.

A tenth person was found (thanks, Rob, for coming from London for this!), pre dinner drinks were organised, and everyone was told that wine had been organised for the table and that was what they would be drinking (yes, bossy emails ahoy!).

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The meal absolutely lived up to our own hype. There was tons of food (although, arguably, there is never enough crackling when pork is involved) and it was all delicious. From the grilled chorizo, to the lentil and quinoa salad (which got rave reviews from everyone), to the calamari, tuna carpaccio, the grilled corn salad, the beef, the side dishes, the dessert … you get the picture. This was one serious, and seriously good, meal.

I’ve enjoyed my previous sorties to Press* and yet again, it has delivered. If you’re looking at a special occasion meal, and you like pork, the feasting menu should definitely be on your short list.

Thanks to my friends Brendan and Kirsty for going crazy with the camera and allowing me to share their photos with you.

Press Food and Wine Menu, Reviews, Photos, Location and Info - Zomato

Marshmallow

Just sitting down to write about #marshmallow ...

Without thinking about it too much, earlier this year I signed up for The Sweet Swap. This is a fund raising blogging event, where bloggers make something sweet and send it off to mystery matches, Kris Kringle style.

And then I did think about it and I realised that I never really make anything that I might be able to send through the post.

Panic!

So I’ve been thinking about sweets more than normal and the rejects (from the point of view of The Sweet Swap) may appear here as posts over the next couple of weeks. I start with marshmallow: I actually asked Andy if he would prefer marshmallow or sweet x and he chose marshmallow. I hate marshmallow so I was really cooking blind here.

I knew there was a recipe in James Martin’s Desserts so I dug it out, had a read, and realised it shouldn’t be too hard.

The big thing with marshmallow is that you need to be careful with the sugar temperature when you add the gelatine. Apparently gelatine loses its setting properties above 130°C, so you need to make sure the sugar is below that (naturally, you also don’t want the sugar to be taking on any colour).

The little bit of faff with a thermometer aside, this was super easy* to put together. And as the small eating machine that is our toddler grows bigger, I’m sure having sweets like this in my repertoire won’t be time wasted!

Andy rated the marshmallow very highly – but you’ll have to take his word for it, because I still hate the stuff!!!

* Super easy if you have some experience in the kitchen. If you genuinely consider yourself a novice, perhaps don’t start here!

Marshmallow

Ingredients

  • 227g caster sugar
  • ½ tbsp liquid glucose
  • 100 mL water
  • 4½ sheets gelatine (platinum strength)
  • 70mL cold water
  • 1 egg white
  • splash of vanilla extract
  • red food colouring (optional)
  • corn flour & icing sugar for dusting
  • a sugar thermometer is essential

Instructions

  1. Begin by putting the sugar, liquid glucose and water in a saucepan. Choose a reasonably heavy bottomed one because you need to have some control over the heat. Bring to the boil and cook until it reaches 127°C.
  2. I found that I hit the 110°C mark quite quickly but it took a while after that to hit the 127, so you do have a little time on your hands.
  3. While the sugar mix is boiling: soak the gelatine in the cold water and beat the egg white until stiff.
  4. When the syrup comes to temperature, remove from the heat and slide in the gelatine and its water. Take care as it may spit and obviously it's very hot! Gently stir to dissolve the gelatine.
  5. Start beating the egg white again and slowly pour in the hot syrup and gelatine mix.
  6. The mixture will thicken quickly and will be like super glossy, super thick meringue. Add the vanilla extract (and food colouring, if using) and continue beating for a good 5+ minutes. You're waiting for the mixture to both cool and become extremely thick.
  7. It's ready when it clings to the whisk, holds its shape and is really almost the texture and consistency of foam.
  8. Using a hot sugar mix like this (the process is not dissimilar to Italian meringue) means that the marshmallow is extremely stable so you don't have to rush to get things done.
  9. Lightly grease (using a flavourless oil!) a baking tray or dish. I used a ~ 20 x 27 cm baking dish. Dust the base with a mixture of sifted cornflour and icing sugar.
  10. Spoon in the marshmallow: this should be hard work because the mixture is so stiff. Spread it evenly throughout the dish as best you can and level with a palette knife (wet and/or hot may help).
  11. Put in the fridge for a minimum of one hour to set.
  12. Dust your work surface with sifted icing sugar and cornflour. Tip the marshmallow out and cut into bit size pieces. Roll each piece in the icing sugar/cornflour mix and set on a rack to dry out.
  13. Store in an airtight box.
https://eatingadelaide.com/marshmallow-recipe/